The Darkling Psalter
The Darkling Psalter: Members Podcast
Images of Redemption: River, Mountain, Gates, and Lathe
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Images of Redemption: River, Mountain, Gates, and Lathe

Redemption in the Psalms is vivid and visceral. However, if you’re anything like me, the phrase “being saved” quickly conjures up ideas about conversion. Maybe you picture walking to the front of a church during an altar call, or throwing a stick into the fire at summer camp.

If we listen closely to the Psalms, what we picture when we picture redemption becomes wider and deeper—and stranger. Redemption looks like rivers, mountains, trees, gates, paths, storms, and the list goes on. Redemption happens through verbs like cutting, carving, flooding, releasing, wandering, losing, and finding.

For this episode of the Members Podcast, I’ve chosen four psalm renditions that approach redemption from different angles. You’ll hear them back to back, each offering a different picture of what it means for God to set things right.

The images are a river of justice, God’s high mountain, the gates that end the exile, and the lathe of love.

Psalm 10 gives us the first image: a river of justice. The psalmist looks out at a world where the wicked prosper and the vulnerable suffer, where those who prey upon the weak seem to act without consequence. And he pleads with God:

“Do not levee the river of justice,
But let your reckoning run.
Make your ruin rain and
Tumble them in the flood.”

The image is of a river held back by a levee, its waters gathering until they finally break through. God’s justice is pictured as a flood that sweeps away oppression. The speaker cries out, “Haven’t you seen all this? Haven’t you heard our cries and watched the ones you swore to shelter snatched away? We have no help but you. We were stalked through all of yesterday’s years, hoping in you.”

There is a desperation here that resonates with anyone who has lived through a time when hope, by every visible measure, seems unreasonable. The bad guys are going to win. The things that should never happen now seem inevitable. And yet, from somewhere beyond hope, a prayer still rises: that God would release the river of his justice, show up, and make things right again.

Psalm 15 takes us to God’s holy mountain. Throughout the Bible, mountains are places where heaven and earth meet. The story begins in Eden, a garden pictured as a mountain, with rivers flowing out to water the world. God meets his people on mountains throughout the biblical story: Sinai, Zion, the mountain of transfiguration. And at the end of Revelation, John is carried to a great, high mountain to behold the New Jerusalem, a restored Eden where God dwells with humanity, with the river of life flowing from his throne.

Psalm 15 asks:

“Lord, who can journey with you?
Who can find their home
On your holy mountain?”

And the answer is a portrait of a life marked by integrity, generosity, and love. The one who belongs there is someone who can “suffer love with great hearts and be glad of it,” someone who gives themselves away but cannot be bought, who promises more than there is to give, and gives more than it takes to live. Redemption here isn’t simply rescue from danger or deliverance from judgment. It’s becoming the kind of person whose life is a journey into the presence of God, increasingly bearing his likeness.

Psalm 24 gives us the third image: the gates that end the exile. The first gates we encounter in the biblical story are shut. The biblical story begins with humanity driven out of the garden, away from the presence of God. The way back is barred, guarded by cherubim. From that moment onward, the story of redemption is also a story of homecoming, of finding a way back into the place we were made to inhabit.

And Psalm 24 imagines the end of that long exile:

“Lift up every last lost gate.
Open every angel-hemmed door.
The king of glory is coming in,
The resurrected world in step behind him.”

I love that image. The gates are thrown open to welcome an entire resurrected world following behind the king. Psalm 24 looks forward to the end of exile—but, like Psalm 15, it's also interested in the people who wait for redemption: who they must become, and what the waiting might make of them.

Which brings us to the final image.

Psalm 36 gives us an image of redemption as “the lathe of love.” The psalm begins with a picture of wickedness as a mind that runs endlessly through its own destructive patterns.

“The wicked man’s mind runs glad
With evil thoughts, and he can’t sleep.
His heart tramps from wrong to wrong
In a dim parade, full of all the wrong fears.”

But against this restless, self-enclosed motion, the psalm places the immeasurable steadfast love of God—a love wider than the sky, higher than the clouds, reaching beyond the farthest stars.

And the rendition ends with a prayer:

“God, lift me up but lay low
And unlace every lie left.
Keep me in the slow lathe of your love.
Make my soul’s bones hone and spin.”

A lathe turns a piece of wood against a cutting tool, gradually shaping it into something new. It’s a striking picture of redemption as the slow work of being remade. Only the blade in this lathe is God’s love, which slowly removes what doesn’t belong and reshapes us in the ways we need to change.

Here are the four renditions in their entirety from the Darkling Psalter along with a pdf available below for paid subscribers.

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